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- <text id=94TT1665>
- <title>
- Nov. 28, 1994: Music:A Deeper Shade of Blue
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Nov. 28, 1994 Star Trek
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/MUSIC, Page 83
- A Deeper Shade of Blue
- </hdr>
- <body>
- <p> Joni Mitchell's new album covers a wide emotional spectrum
- </p>
- <p>By Guy Garcia
- </p>
- <p> It has been 23 years since Joni Mitchell released Blue, a lapidary
- album that used vivid poetry and sun-washed melodies to enrich
- the palette of contemporary folk music. Now and then, over time,
- Mitchell's commercial fortunes have stalled, but her determination
- has never wavered. Her forays into jazz (Mingus, The Hissing
- of Summer Lawns) cost her some fans but cemented her reputation
- as a provocative innovator, and by 1985 her lyrics had taken
- on an increasingly political bite.
- </p>
- <p> Turbulent Indigo, her first album in three years, is steeped
- in an even deeper shade of Blue. The hallmarks of Mitchell's
- signature sound are abundantly evident--the crystalline arrangements,
- the unorthodox guitar tunings, the fluid, bittersweet melodies.
- Her voice, which has taken on a smoky flavor, can still soar
- through clouds of bass and piano. There are flashes of wry humor--as in her depiction of a comically inept Lothario in Yvette
- in English.
- </p>
- <p> At the same time, Turbulent Indigo is weighted heavily with
- the conviction that the world has snapped its moorings. Moody
- and mordant, its 10 songs evoke smog-choked vistas, the scourge
- of aids and the bloodless wounds of love--all presented as
- symptoms of a universal malaise. On Sex Kills, sirens echo ominously
- behind an insistent beat as Mitchell sings, "The ulcerated ozone/
- These tumors of the skin/ This hostile sun beatin' down on/
- This massive mess we're in!...And sex sells everything/ And
- sex kills." The album title, Mitchell says, "refers to the turbulent
- blues of this warring, frenzied climate that we live in, riddled
- with plagues and wars and divisionalism." This sense of chaos
- struck home with the dissolution of her marriage to bassist
- Larry Klein, who, despite their separation, co-produced and
- played on the album. "It didn't color the record," she says
- of the breakup, "even though it got a little tense in the studio
- at times."
- </p>
- <p> Mitchell is less forthcoming about the inspiration for Not to
- Blame, a song about spousal abuse that seems to allude to the
- well-publicized domestic troubles of West Coast rocker Jackson
- Browne and actress Daryl Hannah. "It's not about anyone specific,"
- she insists. "It's about the phenomenon of the battered woman
- at this time."
- </p>
- <p> Though her lyrics are almost unrelievedly dark, Mitchell maintains
- that her music is not. "I'm not an uncheerful person. The melodies
- I love have a wide emotional spectrum; you have to be quite
- cheerful to face these themes."
- </p>
- <p> She also believes society shows a willingness to face up to
- its predicament. "People don't have their heads in the sand
- anymore," she says. "The general populace seems to realize we're
- in the middle of a mess and that it can be somewhat comforting
- to hear a description of that mess put to beautiful music."
- By that difficult measure, Turbulent Indigo is indeed somewhat
- comforting.
- </p>
- </body>
- </article>
- </text>
-
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